Vocal Development Parts 1 & 2: Response

Comments/Observations:

1) I thought it was interesting that the author mentioned that in order to be a good choral conductor, you don't actually have to be an amazing singer, though it is an asset. He mentioned that it is important to have a good understanding of the voice and to know how it works, but he said that it is not the most important that the conductor himself sings well. This is encouraging to me, because while I like to sing, I am not a "trained" singer. It is encouraging that this author believes that an understanding of the voice and the knowledge of how to train good singers is enough to successfully lead a choir. I also appreciated the part where he talked about how choral conductors should avail of private voice lessons. This, to me, says that even when you are the teacher, it never hurts to stop learning and developing your own abilities. 

2) I have never heard of a "vocal register" warm up, even though I have done them many times in many choirs. It's interesting to me that none of my past choral directors have used this term, or explained what it means. I think it would be valuable to choristers to understand this concept and the reasons behind the warm ups they are doing. Even just reading about it sort of changed the way I always thought about these warm ups.

Questions:

1) How do we encourage singers to maintain a healthy singing posture throughout the rehearsal? Is it beneficial to give singers designated breaks when they are allowed to sit back and relax? Will singers be more likely to maintain a good posture while singing if they know they will have time to relax later on?

2) The author spends some time talking about breathing from the diaphragm. I have heard lots of mixed information about talking to singers about the diaphragm. The author seems to think it's okay, whereas many people I have talked to say that you shouldn't tell people to "sing from the diaphragm," or that you shouldn't think about the diaphragm at all. What is the deal with the diaphragm?? Should we mention it or should we not? Does it have any affect at all in what happens with breathing? Would love some clarification on this subject!!!

Directing the Choral Music Program
Kenneth H Phillips
Chapters 13 and 14